Digging into the brief early and asking the right questions upfront, so the right approach is locked in before a single frame is shot.
Helping define the production and post-production approach together, so both teams share a clear picture of how it comes together.
Working out how a specific effect or shot should actually be captured on the day, so it holds up once it reaches post.
Preparing shooting-plan documentation together with the 1st AD, shot by shot.
Overseeing lens grid selection and setup on set for consistent, predictable optical results.
Building a fast, direct line to the director, producers, and post team — keeping everyone moving in the same direction from prep through delivery.
Working closely with the director and DP on every setup, making sure each shot is captured the way it needs to be.
Logging shot information and the technical data post will need — references, lens data, HDRI, and more.
Have a project in mind?
yan.onset@gmail.com